I always have mixed feelings when I come to the end of a writing project. When things have gone well, there’s satisfaction at finishing the job, but there’s also sadness that it’s come to an end … plus a dusting of fear that I maybe I didn’t do as well as I could have done.
This week it’s a double whammy. Firstly, I’ve just submitted the final draft of my latest Cinefex article – a comprehensive behind-the-scenes story on Welcome to Marwen. Directed by Robert Zemeckis, the film is based on the true story of Mark Hogancamp, who facilitated his own recovery from a brutal beating by constructing an entire miniature town and populating it with dolls. His dramatic photographs of his one-sixth scale world went on to gain recognition in the art world, proving the power of art therapy and the indomitability of the human spirit.
It’s a powerful story, and Zemeckis’s take on it is extraordinary – just as you’d expect from the visionary director of Back to the Future, Forrest Gump and Cast Away. A huge swathe of the film is set inside the miniature world, following the adventures of living, breathing doll characters, each of whom has a counterpart in the real world. The backbone of my article is the story of how the filmmakers brought that miniature world to life, from set design and cinematography, to the physical construction of miniature sets and dolls, to virtual production and motion capture, to the painstaking art of visual effects. Of all the articles I’ve written for Cinefex, this may be the one of which I’m most proud.
You’ll be able to read my Welcome to Marwen article in Cinefex 162, out mid-December 2018, and available to pre-order now. I’m extra-excited because, as part of my research, I interviewed Robert Zemeckis himself. Rather than include that interview material within the main story, we’ve decided to pull it out as a standalone Q&A. So, two ‘Marwen’ articles for the price of one!
The second wrap of the week has seen me doing the final edit on my new novel String City, out March 2019. Actually, I’m not quite there – I still have one last copy edit to do, hopefully before the weekend. But, to all intents and purposes, my work on this book is done.
The novel is a hardboiled detective tale set in an otherworldly metropolis where the usual laws of physics don’t always apply. It’s fantasy, it’s noir, and it whisks its wisecracking interdimensional gumshoe hero to some pretty weird locations, as he tries to solve a mystery that threatens not only the neon-lit city in which he lives, but the entire surrounding cosmos.
Endings lead inevitably to new beginnings, and the two acts of closure I’ve engaged in this week are no exception. I’m already lining up my next Cinefex assignment, for an article that will appear in our February 2019 issue. I’ve also made a start on my next novel, which I’ll be working on through next year.
As for what these two new projects are about … you’ll just have to watch this space.
Graham Edwards 