Cinefex cover montage

Cinefex is a bimonthly magazine devoted to motion picture visual effects. I work there full time as senior staff writer, thanks in part to this series of blog articles called Revisiting Cinefex, which I began back in 2011.

I started collecting Cinefex in the early 1980s. Many years later, on a whim, I decided to re-read the first few issues in my Cinefex collection and blog about them as I went along. The next thing I knew, Cinefex publisher Don Shay and editor Jody Duncan had both emailed to tell me how much they were enjoying my articles. You could have knocked me down with a feather.

It took me a little over two years to blog my way through the first forty issues of Cinefex. Together these represent the journal’s first decade of publication and neatly span the 1980s, that amazing decade during which the summer blockbuster came of age and effects movies took over the top ten box office charts. The ’80s also saw the beginning of the digital revolution. At the precise time all the traditional optical and mechanical techniques were being pushed to the limit, CG was quietly on the rise.

Here’s what Don Shay had to say when I reached the end of my retrospective odyssey:

[Graham’s blog articles] represent a fine history of visual effects in the Golden Age between motion control and digital imaging.

My Revisiting Cinefex journey might be over, but I’m by no means done with visual effects. After I completed my fortieth article, Don invited me to run the official Cinefex blog. One thing led to another, and I’m now writing for the magazine as a fully fledged member of the Cinefex editorial team.

Below are links to all forty Revisiting Cinefex articles:

Here’s a final thought. If you enjoy these retrospectives, why not go a step further and read the real thing? Cinefex is available in print and for iPad. Subscribing via the website is as easy as pie. For the iPad edition just go straight to the Apple Store.

The iPad app also opens the door to the entire Cinefex back catalogue. That’s every issue I’ve reviewed here, plus every single issue published to date, available for download right now. Want to hold the entire history of modern visual effects in your hands? You can! Download the app from iTunes and start building your collection now.

I guess I should point out that the opinions expressed in these blog posts are mine and not those of Cinefex, so if you want to respond to something I’ve said, just post a comment here. And, as always, thanks for reading.


  1. Hi Graham. I’m currently putting together an article on the making of Saturn 3 and was wondering if you have any information on the visual effects of this particular film – or in fact the production itself?

    1. Hi Gregory. Thanks for asking, but I’m afraid I don’t have much to offer. I remember seeing the film at the cinema when it was released but don’t have any material on its production. I seem to remember the UK’s Starburst magazine doing a small feature on it – they may have something in their archives. Good luck with the search! Best wishes, Graham

  2. Yeah, that’s absolutely right! I know the VFX budget was slashed to compensate for Raise The Titanic going way over its own budget (also an ITC production), so I’m trying to find out just how much Saturn 3’s VFX budget was – and how much it was reduced by. This all goes a long way in explaining why the film’s VFX are, shall we say, a little on the ‘low-rent’ side (despite the same crew having worked on Superman: The Movie). 🙂

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