Graham Edwards is a UK author specialising in epic fantasy and crime novels. His books include the bestselling Dragoncharm saga, which explores a magical prehistory where dragons rule the skies. Beginning with Stone & Sky, the Stone trilogy transports a Victorian adventurer to the vertiginous slopes of a world-sized wall where the memories of all humanity are stored. If crime is more your thing, plunge into the mind-bending interdimensional thriller String City, or rub shoulders with the world’s first detective in the prehistoric murder mystery Talus and the Frozen King.
Graham’s short fiction has been widely published around the world. His novelettes include Castellia, which first appeared in The Magazine of Fantasy & Science Fiction, and Girl in Pieces, which made the longlist for the Nebula Awards. An experienced ghostwriter, Graham also works with editorial teams and book packagers, writing novels under pseudonym for younger readers including the acclaimed fantasy trilogy Crown of Three and the award-winning School of Alyxa.
As senior staff writer at Cinefex, the journal of cinematic illusions, Graham researched and wrote long-form articles on films and television series including Spectre, Star Trek Beyond, Arrival, Alien: Covenant, Thor: Ragnarok, The Shape of Water, Black Panther, Solo: A Star Wars Story, Spider-Man: Far From Home, Game of Thrones and Terminator: Dark Fate, and interviewed film directors including James Cameron, Robert Zemeckis, Guillermo del Toro, Ron Howard, Luc Besson, Taika Waititi, and Ryan Coogler. He went on to create The Illusion Almanac, a combination website and emag exploring behind-the-scenes on major movie productions.
What the Reviewers Say
- “A must for all dragon fans” – Starburst Magazine on Dragoncharm
- “An imaginative tour-de-force … a superior work of fantasy” – SFX Magazine on Stone & Sky
- “A savory blend of hard-boiled mystery, the fantastic, and the futuristic” – Publishers Weekly on String City
- “A wonderful mash-up of genres, fusing a proper, well-plotted detective yarn with prehistoric blood and thunder pulp fiction action” – Financial Times on Talus and the Frozen King
