Ridley Scott’s 1979 sci-fi horror flick Alien is probably my favourite film of all time. So imagine how thrilled I was to get the gig covering Alien: Covenant for the new issue of Cinefex. Since the average Cinefex article runs to about 26 pages (yes, we really do dig deep with our stories), that’s a big gig.
As I discovered during my interviews, Sir Ridley likes to capture as much as possible in camera – even when he knows it will ultimately be digitally replaced. So the creature team led by Conor O’Sullivan and Adam Johansen spent a lot of time building alien puppets of all shapes and sizes, and operating them while covered in fake blood and KY jelly. Visual effects supervisor Charley Henley led teams at MPC, Framestore, Animal Logic, Luma, Rising Sun Pictures, Atomic Fiction and Peerless Camera Company to take the cosmic critters to the next level, and surround them with alien environments and supersized spaceships.
My second article this issue is on The Fate of the Furious, the eighth film in the hugely successful Fast & Furious franchise. Confession: before I started work on my story, I hadn’t seen a single one of the previous movies. My first step therefore was to binge watch all seven films back to back – which was a lot more fun than I’d anticipated. Researching and writing the article was more enjoyable still. I spoke with visual effects supervisor Michael Wassel and the teams at Digital Domain, Double Negative, Pixomondo, Rodeo FX, Cantina Creative, Trixter and RISE, but the highlight was undoubtedly my two-and-a-half-hour chat with special effects supervisor J.D. Schwalm, who enlightened me on all the ridiculously over-the-top practical gags and stunts he staged for the film, from chucking one bunch of cars out of a high-rise garage, to smashing another lot to pieces with a giant wrecking ball, to blowing up a frozen Icelandic lake.
My stories aren’t even the half of it, of course. Our cover boy this issue is Rocket Raccoon, so no prize for guessing that Guardians of the Galaxy Vol. 2 is our lead article, written by the inestimable Joe Fordham, who also donned his thermoptic suit to cover the new live-action version of Ghost in the Shell. Neatly bookending Alien: Covenant is Jody Duncan’s spine-tingling story on Life, which rounds out Cinefex 153 with an extra dose of orbital terror.
Graham Edwards 