Revisiting Cinefex (27): Aliens

The human star of Aliens might be Sigourney Weaver, but it's her extraterrestrial adversary - the ferocious alien queen - that features on the front cover of Cinefex #27, No surprise, then, that this issue is devoted entirely to the Oscar-winning visual effects of James Cameron's 1986 blockbuster. The cover shot shows Stan Winston's remarkable full-size queen … Continue reading Revisiting Cinefex (27): Aliens

The Writer’s A-Z

If you've got as many questions as I have about the craft of creative writing, you'll know how important it is to try out new things. The more you learn, the more it seems there is to learn. Every day, as they say, is a school day. That's what this A-Z is all about. It's … Continue reading The Writer’s A-Z

Digging Up “Saturn 3”

If, like me, you like to read about how films are made, you'll know that movie disasters (as opposed to disaster movies) can sometimes be more interesting than success stories. One such disaster is the 1980 science fiction thriller Saturn 3. I had the misfortune to watch this dreadful film on its first theatrical release. … Continue reading Digging Up “Saturn 3”

The Five Stages of Editorial Feedback

According to psychiatrist Elisabeth Kübler-Ross, the five stages of grief are denial, anger, bargaining, depression, and acceptance. Most writers will recognise these as matching precisely the five stages of receiving editorial feedback on a manuscript. As in: Denial - "I refuse to believe that what I've written is anything other than an award-winning piece of … Continue reading The Five Stages of Editorial Feedback

Revisiting Cinefex (26): Poltergeist II, Young Sherlock Holmes

Carol Anne's in trouble on the front cover of Cinefex #26, assailed by a whole new host of ghostly apparitions in Brian Gibson's 1986 sequel Poltergeist II: The Other Side. The apparitions come courtesy of Richard Edlund's Boss Film Studios and are thus of superior quality (though most folk wouldn't say the same about the … Continue reading Revisiting Cinefex (26): Poltergeist II, Young Sherlock Holmes

Revisiting Cinefex (25): Enemy Mine, Der Trickfilm, Fright Night

There's a rule of thumb in the graphic design business: if you want the magazine to sell, put a pretty face on the cover. This is my 25th trip into my personal Cinefex archive, and well over half the covers I've looked at more or less follow that rule (remember, in the world of visual effects, … Continue reading Revisiting Cinefex (25): Enemy Mine, Der Trickfilm, Fright Night

“Nemesis Sub-Terra” at Alton Towers

Earlier this year I had the great privilege of working on a brand new ride at top UK theme park Alton Towers. The ride is Nemesis Sub-Terra, a claustrophobic horror experience set in the Forbidden Valley, near the famous Nemesis inverted roller coaster. I was hired as scriptwriter by ride theming experts Farmer Attraction Development … Continue reading “Nemesis Sub-Terra” at Alton Towers

The Research Funnel

I'm writing a novel set in Los Angeles in 1933. I've never been to Los Angeles. I've certainly never visited the year 1933. Clearly, research is required (rather more than I'd anticipated, actually, which just goes to show how blindly I plunged into the project). When you're writing a period piece, the details have to … Continue reading The Research Funnel

Revisiting Cinefex (24): Cocoon, The Goonies, Back to the Future

Both the front and back covers of Cinefex issue #24 feature one of the big hit movies of 1985: Ron Howard's Cocoon. On the front we see - in extreme close-up - actor Brian Dennehy pulling down his lower eyelid to reveal the glowing skin of his alien Anterean self. The super-stretchy eyelid was a … Continue reading Revisiting Cinefex (24): Cocoon, The Goonies, Back to the Future

Every Character Needs a Spine

Earlier this year, film-maker Andrew Stanton gave an inspirational Ted Talk on storytelling. One quote in particular stuck with me, and it's this: "I took a seminar this year with an acting teacher named Judith Weston and I learned a key insight to character. She believed that all well-drawn characters have a spine. And the … Continue reading Every Character Needs a Spine